{"id":19080,"date":"2020-04-29T15:32:04","date_gmt":"2020-04-29T15:32:04","guid":{"rendered":"https:\/\/www.bolsadearte.com\/oparalelo\/?p=19080"},"modified":"2020-04-29T15:32:04","modified_gmt":"2020-04-29T15:32:04","slug":"claudio-tobinaga-jimson-vilela-e-yoko-nishio","status":"publish","type":"post","link":"https:\/\/www.bolsadearte.com\/oparalelo\/claudio-tobinaga-jimson-vilela-e-yoko-nishio","title":{"rendered":"Claudio Tobinaga, Jimson Vilela e Yoko Nishio"},"content":{"rendered":"<div>\n<div dir=\"ltr\" data-smartmail=\"gmail_signature\">\n<div dir=\"ltr\">\n<div><\/div>\n<div>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-19080 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/04\/unnamed-5.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/04\/unnamed-5-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/04\/unnamed-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/04\/unnamed-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/04\/unnamed-6.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/04\/unnamed-6-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<\/div>\n<div><\/div>\n<div>\n<p>Na quinta e \u00faltima semana da\u00a0<strong>\u201cSele\u00e7\u00e3o de obras de arte\u201d\u00a0<\/strong>nas\u00a0<strong>p\u00e1ginas<\/strong>\u00a0<strong>digitais<\/strong>\u00a0da galeria\u00a0<strong>Simone Cadinelli Arte Contempor\u00e2nea<\/strong>, Ipanema, Rio de Janeiro, RJ, o p\u00fablico ver\u00e1 trabalhos dos\u00a0artistas\u00a0<strong>Jimson Vilela, Yoko Nishio e\u00a0<\/strong><strong>Claudio Tobinaga<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>As obras desta semana de 27 de abril a\u00a01\u00ba\u00a0de maio s\u00e3o: \u201cSem t\u00edtulo\u201d (\u201cDistor\u00e7\u00e3o\u201d), 2019, de\u00a0<strong>Jimson Vilela<\/strong>; \u201cVista Pitoresca de Bertillon 2\u201d (2019), de\u00a0<strong>Yoko Nishio e\u00a0<\/strong>\u201cViva Melhor\u201d (2018), de\u00a0<strong>Claudio Tobinaga<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cO sentido de deslocamento do que entendemos como realidade pode ser observado nas tr\u00eas obras selecionadas\u201d, comenta\u00a0\u00c9rika Nascimento, gestora art\u00edstica da galeria. Em \u201cDistor\u00e7\u00e3o\u201d o papel do livro em branco na biblioteca, \u201cViva Melhor\u201d com uma paisagem \u201cbugada\u201d, e\u00a0\u201cVista Pitoresca de Bertillon\u201d,\u00a0onde\u00a0o objeto capacete torna-se protagonista, ao inv\u00e9s do indiv\u00edduo.<\/p>\n<p>&nbsp;<\/p>\n<p>S\u00e3o partes fundamentais da po\u00e9tica de\u00a0<strong>Jimson Vilela<\/strong>\u00a0a palavra, a linguagem e a gram\u00e1tica. Da mesma forma, os suportes que utiliza \u2013 o livro e o papel \u2013 integram sua pesquisa. \u201cDistor\u00e7\u00e3o\u201d \u2013 impress\u00e3o com pigmento mineral sobre papel Photo Rag Baryta 315 \u2013 \u00e9 uma rela\u00e7\u00e3o direta com as folhas de pap\u00e9is em branco de um livro, inseridas em seu ambiente\u00a0usual\u00a0de leitura.<\/p>\n<p>&nbsp;<\/p>\n<p>A s\u00e9rie de aquarelas \u201cVista Pitoresca de Bertillon\u201d, de 40 x 30 cm, de\u00a0<strong>Yoko Nishio<\/strong>, reverte\u00a0o\u00a0procedimento criado em 1879 por\u00a0Alphonse Bertillon\u00a0(1853-1914) \u2013 o Sistema de Identifica\u00e7\u00e3o Criminal, que\u00a0padronizou a imagem e ficha fotogr\u00e1fica policial \u2013 em que\u00a0\u00e9 o capacete o personagem amea\u00e7ador.<\/p>\n<p>&nbsp;<\/p>\n<p>Na pintura em \u00f3leo sobre tela, de 140 x 100 cm,\u00a0<strong>Claudio Tobinaga<\/strong>\u00a0faz uma das raras\u00a0paisagens em sua produ\u00e7\u00e3o, em que usa elementos do cotidiano carioca. Em\u00a0\u201cViva Melhor\u201d (2018), est\u00e3o presentes as listras, uma constante em seus trabalhos, que representam\u00a0o \u201cglitch\u201d (erro) da imagem,\u00a0uma paisagem\u00a0em processamento, \u201cbugada,\u00a0como as falhas das imagens das barras de rolagem das redes sociais, em estado de quase desaparecimento\u201d.<\/p>\n<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div dir=\"ltr\"><br clear=\"all\" \/><\/p>\n<div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Na quinta e \u00faltima semana da\u00a0\u201cSele\u00e7\u00e3o de obras de arte\u201d\u00a0nas\u00a0p\u00e1ginas\u00a0digitais\u00a0da galeria\u00a0Simone Cadinelli Arte Contempor\u00e2nea, Ipanema, Rio de Janeiro, RJ, o p\u00fablico ver\u00e1 trabalhos dos\u00a0artistas\u00a0Jimson Vilela,\u2026<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4773,3,4580,9524,11,2650,14],"tags":[17802,14302,17803,14303,15224,14307],"class_list":["post-19080","post","type-post","status-publish","format-standard","hentry","category-arte-brasileira-2","category-arte-contemporanea","category-desenho-2","category-galerias","category-oparalelo","category-pinturas-2","category-rio-de-janeiro","tag-alphonse-bertillon","tag-claudio-tobinaga","tag-erika-nascomento","tag-jimson-vilela","tag-simone-cadinelli-arte-contemporanea","tag-yoko-nishio"],"_links":{"self":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts\/19080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/comments?post=19080"}],"version-history":[{"count":6,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts\/19080\/revisions"}],"predecessor-version":[{"id":19089,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts\/19080\/revisions\/19089"}],"wp:attachment":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/media?parent=19080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/categories?post=19080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/tags?post=19080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}