{"id":19504,"date":"2020-11-03T14:09:51","date_gmt":"2020-11-03T14:09:51","guid":{"rendered":"https:\/\/www.bolsadearte.com\/oparalelo\/?p=19504"},"modified":"2020-11-03T14:09:51","modified_gmt":"2020-11-03T14:09:51","slug":"farsa-lingua-fratura-ficcao-brasil-portugal-3","status":"publish","type":"post","link":"https:\/\/www.bolsadearte.com\/oparalelo\/farsa-lingua-fratura-ficcao-brasil-portugal-3","title":{"rendered":"Farsa. L\u00edngua, fratura, fic\u00e7\u00e3o: Brasil &#8211; Portugal"},"content":{"rendered":"\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-19504 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/10\/Maiolino-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/10\/Maiolino-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/10\/Lygia-Pappe-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/10\/Lygia-Pappe-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/10\/Pietrina-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.bolsadearte.com\/oparalelo\/wp-content\/uploads\/2020\/10\/Pietrina-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p><strong>SESC Pompeia<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>De outubro de 2020 a janeiro de 2021<\/p>\n<p style=\"text-align: justify;\">A palavra \u201cfarsa\u201d aponta para uma ironia, uma tor\u00e7\u00e3o dos sentidos. Pode significar uma par\u00f3dia que diverte, mas tamb\u00e9m um dedo que exp\u00f5e uma ferida aberta. \u201cFarsa\u201d rodopia sobre si pr\u00f3pria, ri de si mesma.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Evocar os significados dessa palavra numa exposi\u00e7\u00e3o constru\u00edda em torno da l\u00edngua e da linguagem, e com a participa\u00e7\u00e3o de artistas que atuam no espa\u00e7o de express\u00e3o do portugu\u00eas, sobretudo em Portugal e no Brasil, \u00e9 uma maneira de interrogar uma das armadilhas mais latentes da nossa hist\u00f3ria comum: a suposta unidade lingu\u00edstica e o inerente pertencimento, banhados pela hegemonia luso-tropical.<\/p>\n<p style=\"text-align: justify;\">Curadoria: Marta Mestre<\/p>\n<p>Curadoria adjunta: Pollyana Quintella<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Visita\u00e7\u00f5es com agendamento pr\u00e9vio atrav\u00e9s de:\u00a0<strong><a href=\"https:\/\/bit.ly\/farsa-sescpompeia\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/bit.ly\/farsa-sescpompeia&amp;source=gmail&amp;ust=1604498395166000&amp;usg=AFQjCNHXvSODsaCFuQh2z7OPzXrkILp3YA\">http:\/\/bit.ly\/farsa-sescpompeia<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">\u00a0ARTISTAS PARTICIPANTES:\u00a0AGRIPPINA R. MANHATTAN, ALEXANDRE ESTRELA, ALINE MOTTA E RAFAEL GALANTE, \u00c1LVARO DE S\u00c1, FL\u00c1VIO DINIZ E NEIDE S\u00c1, ANA HATHERLY, ANA PI, ANA VIEIRA, ANDREA TONACCI, ANITTA BOA VIDA, ANNA BELLA GEIGER, ANNA MARIA MAIOLINO, CARLA FILIPE, CARMELA GROSS, CAROLINE VALANSI, CLARA MEN\u00c9RES, CLARISSA TOSSIN, DAYANA LUCAS, DENISE ALVES-RODRIGUES, DJ PEL\u00c9, E. M. DE MELO E CASTRO, EVA RAPDIVA, FRANCISCA CARVALHO, GAL COSTA, G\u00ca VIANA E M\u00c1RCIA DE AQUINO, GRADA KILOMBA E JOTA MOMBA\u00c7A, GRETTA SARFATY, HELENA ALMEIDA, HELENA IGNEZ, JO\u00c3O VIEIRA, JOTA MOMBA\u00c7A, KAT\u00da MIRIM, LINN DA QUEBRADA, L\u00daCIA PRANCHA, LYGIA PAPE, MARIANA DE MATOS, MARIANA PORTELA ECHEVERRI, MARINA DALGALARRONDO, MIRA SCHENDEL, MOVIMENTO FEMININO PELA ANISTIA NO BRASIL, MUMTAZZ, M\u00daSICA PORTUGUESA A GOSTAR DELA PR\u00d3PRIA, NEIDE S\u00c1, NELLY GUTMACHER, NOITE &amp; DIA, OLGA FUTEMMA, PAULA REGO, PAULO BRUSCKY, P\u00caDRA COSTA, PIETRINA CHECCACC, POLA RIBEIRO E ANA NOSSA, REGINA SILVEIRA, REGINA VATER, RENATA LUCAS, RITA NAT\u00c1LIO, RITA NAT\u00c1LIO E ALBERTO \u00c1LVARES, SALETTE TAVARES, SARA NUNES FERNANDES, THEREZASIM\u00d5ES, TITICA, T\u00daLIA SALDANHA, VERA MANTERO, VICTOR GERHARD, VON CALHAU!, YULI YAMAGATA<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SESC Pompeia &nbsp; &nbsp; De outubro de 2020 a janeiro de 2021 A palavra \u201cfarsa\u201d aponta para uma ironia, uma tor\u00e7\u00e3o dos sentidos. Pode\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4773,3,4,4580,6,2086,11,2650,15],"tags":[18160,11119,5125],"class_list":["post-19504","post","type-post","status-publish","format-standard","hentry","category-arte-brasileira-2","category-arte-contemporanea","category-arte-estrangeira","category-desenho-2","category-exposicoes","category-instalacao-2","category-oparalelo","category-pinturas-2","category-sao-paulo","tag-farsa","tag-pollyana-quintella","tag-sesc-pompeia"],"_links":{"self":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts\/19504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/comments?post=19504"}],"version-history":[{"count":4,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts\/19504\/revisions"}],"predecessor-version":[{"id":19508,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/posts\/19504\/revisions\/19508"}],"wp:attachment":[{"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/media?parent=19504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/categories?post=19504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bolsadearte.com\/oparalelo\/wp-json\/wp\/v2\/tags?post=19504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}